"Hacking and painting have a lot in common. In fact, of all the different types of people I've known, hackers and painters are among the most alike."
Well, he certainly didn't refute the first sentence. Arguing that other things have a lot in common with hacking doesn't prove that painting doesn't. And I don't see how either you or he could say anything about the second. You don't know who I know. And I didn't even say they were the most alike of people I'd known, only among the most alike.
You both pretend I'd written "Hacking has more in common with painting than any other field." But if I'd meant that, I would have said it.
In fact, I say explicitly that what hackers have in common with painters is that they're both makers, and I mention other types of makers (writers and architects) who are also like hackers. The kinds of work I claim hacking is unlike are math and science, which I think is an important point, because lots of people have tried to push it into the mold of one or the other.
Now that's settled, will you answer my original question? Can you give me an example of a specific statement about painting that he's refuted? Not (what he claims is) the thesis of my essay, but one of the statements I make specifically about painting. As you point out, he attacks these "repeatedly and explicitly," with footnotes. I'm asking you to produce just one you feel is convincing,
to support your claim that he has "carefully refuted" me.
The reason I'm asking is because I think you'll find, when you look more closely, that you've been convinced by the form of his arguments (the emphatic tone, the citations) without actually understanding them. But go ahead, prove me wrong.
I see your point, Paul. But if all you're saying is that hackers are like "makers", your essay is really boring. There is nothing special about being a "maker". And because you've applied no rigor to defining the term, you haven't even set up a comparison: you can substitute "mathematician" as easily as "painter" or "bicycle builder".
Meanwhile, your critic has provided several examples of ways hackers are specifically unlike painters. For instance, you felt painters needed to know about paint chemistry, like hackers need to know about big-O notation. No, your critic says, most painters don't know anything about paint chemistry, just "fat over lean". Painters, the critic very credibly notes, also get laid more than hackers.
I've answered your original question several times over now. You seized on the word "refute" and demanded that I provide a specific statement that the critique refutes. I caved and said, "ok, you said hackers are more like painters than most other people you know". You've now backed off that statement, which I still read as the core of your argument. You've now mooted the argument. I'm fine with that.
I agree, the critique is stylish and fun to read, and more convincing for it. Maybe that's not fair. But your essay got more attention, so I wouldn't worry.
Where did I back off any statement? I still think hackers are more like painters than most other types of people I know.
I notice now that you've finally produced a specific statement about painting that you claim he's refuted, though. And you are mistaken, as I think even you will have to agree. What I wrote was:
All the time I was in graduate school I had an
uncomfortable feeling in the back of my mind
that I ought to know more theory...
Now I realize I was mistaken. Hackers need to
understand the theory of computation about as
much as painters need to understand paint chemistry.
In other words, I am in fact saying that painters
don't need to know a lot about paint chemistry,
and using that as an analogy in statement that hackers,
similarly, don't need to know much about the theory
of computation.
Is this finally starting to give you second thoughts
about the idea that he's "carefully refuted" me?
I think he wrote carefully --- his critique is funny, a fast read, and works on multiple levels (as a parody of your writing style, as a reasoned criticism of your argument, and as a takedown of the cult of personality that surrounds you). I don't think either of your arguments are particularly careful anymore.
But you're right, if one chooses to be harshly analytical about your essay, it is indeed hard to pin you down to something that can be refuted directly.
Again: he wrote something clever and funny about you. You should be flattered. Right now, you really just seem petulant.
Yeah, I'm done here. I thought to bring some logic to the table, but with this sentence "Painters, the critic very credibly notes, also get laid more than hackers," its clear that logic will have no part of it. What that sentence has to do with anything about proving or disproving the actual original point of PG's essay I don't know, and probably never will. We're so far removed from what matters or counts as reasoning thats its useless to continue.
Well, he certainly didn't refute the first sentence. Arguing that other things have a lot in common with hacking doesn't prove that painting doesn't. And I don't see how either you or he could say anything about the second. You don't know who I know. And I didn't even say they were the most alike of people I'd known, only among the most alike.
You both pretend I'd written "Hacking has more in common with painting than any other field." But if I'd meant that, I would have said it.
In fact, I say explicitly that what hackers have in common with painters is that they're both makers, and I mention other types of makers (writers and architects) who are also like hackers. The kinds of work I claim hacking is unlike are math and science, which I think is an important point, because lots of people have tried to push it into the mold of one or the other.
Now that's settled, will you answer my original question? Can you give me an example of a specific statement about painting that he's refuted? Not (what he claims is) the thesis of my essay, but one of the statements I make specifically about painting. As you point out, he attacks these "repeatedly and explicitly," with footnotes. I'm asking you to produce just one you feel is convincing, to support your claim that he has "carefully refuted" me.
The reason I'm asking is because I think you'll find, when you look more closely, that you've been convinced by the form of his arguments (the emphatic tone, the citations) without actually understanding them. But go ahead, prove me wrong.