In Stanford Symphonic Chorus, Steve Sano began every new piece giving us a set of pencil marks to make in our scores. Nearly always, for a phrase that ends with a quarter note, we'd be told to replace that with an eighth note and an eighth rest. This is his choice, not the composer's.
In Stanford Symphonic Chorus, Steve Sano began every new piece giving us a set of pencil marks to make in our scores. Nearly always, for a phrase that ends with a quarter note, we'd be told to replace that with an eighth note and an eighth rest. This is his choice, not the composer's.