I’m not convinced that we stop finding new music, we just become less zealous or outward about it as we get older. When I was young, I was all about talking music, having the right DJ list for roadtrips, etc, etc and now? I just hit play and don’t think too much about it. Probably because it’s harder to attend shows, less relevant to my social life, etc. I’ve also found as I’ve gotten older that I just care less about the specifics of what the song or artist is. I’ll anchor to a song I really like and then let Apple’s infinite play loop take it from there.
>I’m not convinced that we stop finding new music, we just become less zealous or outward about it as we get older. When I was young, I was all about talking music, having the right DJ list for roadtrips, etc, etc and now? I just hit play and don’t think too much about it. Probably because it’s harder to attend shows, less relevant to my social life, etc.
Well, older people (40, 50, even 60+) more passionate about music, they still do all of those (going to concerts, discussing music, crafting the right playlist for roadtrips), not unlike like they did in their 20s.
So, yes: most people do care less about music and stop finding new music.
This is maybe true if we talk about superstar kind of show. But I think it's now easier than ever to find out about little gigs, which were hard to find before social networks.
I live in medium size capital city (Belgrade), there are options to listen to live music every single day. Sometimes it's just classic music, sometimes there are cover bands, but quite often there's a chance to listen to original music. And these small gigs are quite cheap or even free. I very often listen a song or two (Spotify or youtube really help with this!), then if it looks promising I listen to some more while walking to the show.
Sure, sometimes it's not good. But very often I like it a lot and you can bet I listen to it much more focused then if that same music came on autoplay at home.
If you're in big enough city or have something bigger nearby - find a way to discover new gigs, follow venues, event organizers, local cultural institutions, festivals, etc. That's my main use of Facebook.
The artists have made it harder. They've pushed for aggressive one sided fan behavior policies (phone less), they've increased aggressively with the prices, the quality has gone down with many established bands, pushed large shows without building a performance with the space, and they've done a ton of things that don't help their product.
It feels more like greed in the business than an experience.
That being said I'm still sitting on the idea of paying 123$ for cage the elephant show on an album I haven't heard yet.
I am 100% onboard with the phone bans. There's nothing worse than hundreds of phone screens glowing in your face while you're trying to enjoy a live act. I can't imagine how weird it must feel for the performer(s) too. To go from people looking at you, making eye contact, engaging with the performance, to suddenly seeing a sea of phones pointed at you, with everyone watching you indirectly via their phone screen.
Yea, the whole "I want to watch the concert through my phone" thing I don't get at all. If you just want to watch it on your phone, why not just stay home and watch a professionally-produced concert video? Are they actually recording it for later (and are actually going to watch their low-quality recording later), or do they simply need to frame everything they experience inside a phone bezel?
> Are they actually recording it for later (and are actually going to watch their low-quality recording later)
What's wild is how much the "low-quality recording" on a modern smartphone looks and sounds way better than bootlegs I listened to (or, god forbid, watched) in the 90s.
I don't film entire concerts but I will usually try to get a nice clip from one of my favorite songs. It's fun to revisit. I'd love it if I had short clips from shows I saw when I was 20, especially ones of bands who blew up later or fell off the face of the earth.
Thank you for pointing this out. Everytime I bring up the "phone free" thing, everyone keeps jumping on and saying "well i don't like people filming". The situation that you mentioned is exactly how I do that and what I've seen.
The exception to this is extremely mainstream performances that attract people, where it may be the one big thing they do in the year or the next.
They just want to brag about it, I guess. Like with photos of their meals and... well, lots of things. To each their own, but I stopped attending most shows mainly because of the annoying seas of phones in front of me.
I'd bet that most of such recordings are not even shared or perhaps even looked at by the author (personally, I'm guilty of this). It's just some sort of compulsion to record it.
There are far better ways to address people holding up their phones to record than to outright ban them from everyone. There are strong reasons (Bataclan) to need and have those there.
What's with the sympathy for the performer? It's hard for them to even see the audience. Most of the light is focused on them and the audience is in the dark.
What's the better way? I'm not saying phones need to be physically removed from people, just kept in pockets/bags/whatever.
As for my comment about the performer, I'm just picturing it from their perspective and to me it would feel odd to go from looking at people to looking at phones. I'm sure there are lots of people who film with their phone lights on, so that's got to be noticeable through the stage lights.
> There's nothing worse than hundreds of phone screens glowing in your face while you're trying to enjoy a live act.
Plenty of worse things. People throwing up on you. Harassment. Tarps. Passing out. Being sold water even though it's supposed to be free. Taking bottle caps away from you. People talking during the show. People yelling about politics.
I don't enjoy all the phones either, but it is what it is.
